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Through its combination of quality, innovation, and usability it quickly rose to the top of market as the go-to reverb of 2009. Boundless inspiration and enjoyment: pricelessĪether 1.0 took the industry by storm in 2009, and established itself as the leading native algorithmic plugin on the market.3 parameter link and 6 paramater lock buttons.2 display-based macro controls on the main page.6 macro control knobs on the preset browser page.In addition to the stellar collection of presets in the factory installation and two expansion packs, several other features make designing and editing presets a quick and painless process: 150 presets in the Creativity Expansion.217 presets in the Small Sublime Expansion.223 presets in the Precision Halls Expansion.1,334 Total Resources Currently Availble.
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Well don’t despair, we’ve done most of the work for you. Let’s face it: not everyone is going to become an expert in algorithmic reverb preset design no matter how easy we make it. World-class GUI design that communicates critical information effortlessly.I couldnt hear what all the fuss was about by the presets and didnt feel like learning the interface just to see if I liked it.Sublime space, both classical and modern… But there are many I passed on a while ago because of the presets which I havent gone back to. I stopped checking presets on compressors of course a long time ago.Īnd no I never do with Reverbs now either. With many complex synths it can take a long time before I unearth hidden strengths, so I wish the companies cared more about presets (which I never use in my own music anyway but still). All of the synths in Ableton have shit presets and so on down the line, so I never check presets on synths anymore.
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Cypher for example had a really confounding interface and I think even the sound designers they got preset sounds from never read the manual and made a lot of shit sounds. Synth Squad, Tremor etc all had lousy presets but are great devices. One of the worst companies for presets is FXpansion. This unfortunately results in sleeping on certain products I might otherwise have liked, since, increasingly presets really suck. If I cant find what Im looking for this way, then I start to invest time drilling down and designing from scratch with well reviewed products and so on down the line. And for example IR libraries of classic reverb units usually only record the presets and alot of the time they sound good, like Samplicity. Usually i only run through them when evaluating a potential purchase under the assumption that the manufacturer thinks the presets best represent the product. There are hundreds of presets with largely unhelpful names to wade through looking for the right sound and only a dozen or so parameters to play with and you soon learn what they all do.Ĭreating your own settings is much quicker and more likely to get the result you are listening for.
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I also wanted to test Audio Damage's Eos, but since it is based on old code by the bloke from Valhalla, and since Chris don't do no demos, and since a cracked version of Eos is so very hard to find online, and since Chris is very mean to people who pirate his gear, I had to pass.Ĭonclusion: Happiness can be found here: Ĭrumhorn wrote:never bother with presets for anything like reverb. I tested some others too, but I can't remember them, so they must have been moderately inoffensive arse. + Realtime automation of time/space produces whooshes and swoops Sounds like an emulation of space, rather than space itself. Shitty marketing (ER + LR ? "2 plugins-in-one") The whole early reflection section just sound like artefacts to me
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Realtime automation of time/space produces glitches I did an extensive test of a number of big name reverbs and Ableton's.